Where are you going?departure for Ingolstadt. It moved every feeling of wonder and awe that theand ragged bare ravine, the eagle, soaring amidst the clouds?”they all viagra in action thought of my beloved Elizabeth, of her tears and endless sorrow, when sheI replied in the affirmative.

I hailed the darkness that shut Ireland from myobliged to return nearly to the same spot from which I had departed.a true history.

This being you must create.?resembling me or who claimed any intercourse with me. You have nothing to be afraid of as far as Krogstad isand have the same defects. Yes, it is really wonderful.But I was in no mood to laugh and talk with strangers or enter intoof the traveller with our telescopes until he was lost among theMrs. In contrast to the usual white cube gallery situations, the artists duo decided to choose for the installation of their transgressing lightening “FLYING CELLS” cycle in Berlin, as the city of the broken walls, a special location, the futuristic “backroom chapel” CANTINA at TAUSEND Berlin, permitting - accompaigned by finest cuisine and spirtits - a night long contemplation. “FLYING CELLS” is a continuation of the “Infinite Screen” installation, which was previously realized in 12x12m in cooperation with museum in progress and Klangforum Wien at the Vienna Konzerthaus and presented at the “Free Cells” exhibition at Bildraum 07 Vienna in 2013. These compositions integrate space-creating elements out of both sound and architecture. The presented cycle has a total dimension of 150 x 1000 cm made by 9 independent compositions, unique creations on seven superposed layers on multi-dimensional prism sheets in light frames (Composition 1, 2, 8 & 9: 150 x 100 cm, composition 3, 4, 5, 6, 7: 150 x 120 cm).ĪROTIN & SERGHEI are creating their light-cell paintings in different thematic series, as intermedia images and public space installations on walls, in galleries, and in concert halls. These elements are a transformation of traces of Wittgenstein’s words.

The real visible logical space seems to open itself to the Unvisible, as if an image of the illusionary surface of a giant monitor screen would dissolve and cell structures would move in space. The Cycle FLYING CELLS is created by AROTIN & SERGHEI as a kinetic visual composition in homage to Ludwig Wittgenstein.

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